Some helpful notes about Call Numbers:
The Book of Mormon Script Book by
The only official companion book to the Tony Award winner for Best Musical from the creators of South Park and the co-creator of Avenue Q. Features the complete script and song lyrics, with 4-color spot illustrations throughout, an original introduction by the creators, and a foreword by Mark Harris. The Book of Mormon, which follows a pair of mismatched Mormon boys sent on a mission to a place that's about as far from Salt Lake City as you can get, features book, music, and lyrics by Trey Parker, Robert Lopez and Matt Stone. Parker and Stone are the four-time Emmy Award-winning creators of Comedy Central's landmark animated series South Park. Tony Award-winner Lopez is co-creator of the long-running hit musical comedy Avenue Q. The Book of Mormon is choreographed by three-time Tony Award-nominee Casey Nicholaw (Monty Python's Spamalot, The Drowsy Chaperone) and is directed by Nicholaw and Parker. The book includes * an original foreword by journalist Mark Harris (author of Pictures at a Revolution) * an original introduction by the authors on the genesis of the show * a production history * the complete book and lyrics, with four-color spot illustrations throughout.
The Complete Lyrics of Cole Porter by
From "Begin the Beguine" to "It's Delovely" to "My Heart Belongs to Daddy" and "I Get a Kick Out of You," here are the complete lyrics to the much-loved songs of Cole Porter--800 songs meant to be hummed, sung, danced to, and remembered. "A record of (Porter's) artistic development and of the time in which he flourished."--Rhoda Koenig, New York Magazine.
Neo-Solo by
Neo-Solo: 131 Neo-Futurist Solo Plays from Too Much Light Makes the Baby Go Blind is the second book of short (very short) plays from Chicago's experimental theater company, The Neo-Futurists. Too Much Light is an on-going attempt to perform 30 plays in 60 minutes. The show is in constant flux, with at least 2 to 12 new plays written by the ensemble each week. Since the show's inception in 1988, the ensemble has generated nearly 4,500 short plays, performance pieces, and monologues, from which this collection is culled. The book contains solo performance pieces by 25 authors, covering such diverse topics as racial politics, sex between strangers, child abuse, and what it means to be a "male secretary". Rants, poems, songs, plays without words, straight-ahead monologues, jokes and audience participatory plays are just a few of the forms used by The Neo-Futurists to present their ideas and stories.
Plays from Contemporary American Theatre by
Contents: Streamers / by David Rabe -- Marco Polo sings a solo / by John Guare -- Wings / by Arthur Kopit -- Sister Mary Ignatius explains it all for you / by Christopher Durang -- Crimes of the heart / by Beth Henley -- The dining room / by A.R. Gurney -- Painting Churches / by Tina Howe -- Ma Rainey's Black bottom / by August Wilson.
Ragtime by
Recounts the interrelated early twentieth-century lives of the families of a New Rochelle manufacturer, an immigrant socialist, and a Harlem musician and their involvement with Evelyn Nesbit, Henry Ford, Houdini, Morgan, Freud, Zapata, and other period notables.
Tennessee Williams: Plays 1937-1955 by
Tennessee Williams's explosive, often violent, plays shattered conventional proprieties and transformed the American stage. They inspired some of the most famous productions and performances in theatrical and film history, and they continue to grip audiences all over the world. Now, in an authoritative two-volume edition, The Library of America collects the plays that define Williams's extraordinary range and achievement. This first volume begins with the stunning rediscovered plays of Williams's early career: Spring Storm, a tragedy of provincial longing that prefigures the mood and language of his later work, and Not About Nightingales, a stark prison drama, produced in 1998 to international acclaim, that resounds with the playwright's outraged idealism. With the autobiographical The Glass Menagerie in 1944, Williams attained what he later called "the catastrophe of success," a success made all the greater by A Streetcar Named Desire, his most famous play and one of the most influential works of modern American literature. Forging an idiom that uniquely blended lyricism and brutality, a tragic sense of life and a genius for comic observation, he continued to revolutionize the American theater with a series of masterpieces: the poignant and melancholy Summer and Smoke, the light-hearted erotic comedy The Rose Tattoo, the sprawling and surrealistic Camino Real, and Cat on a Hot Tin Roof, the Pulitzer Prize-winning portrayal of a ruthless family struggle. This volume also contains Battle of Angels (an early version of Orpheus Descending), and a selection of Williams's one-act plays, including 27 Wagons Full of Cotton, The Property Is Condemned, and I Rise in Flame, Cried the Phoenix, a meditation on the life and work of D. H. Lawrence. This edition includes a newly researched chronology of Tennessee Williams's life, explanatory notes (including cast lists of many of the original productions), and an essay on the texts.
Waiting for Godot by
A seminal work of twentieth-century drama, Waiting for Godot was Samuel Beckett's first professionally produced play. It opened in Paris in 1953 at the tiny Left Bank Theatre de Babylone, and has since become a cornerstone of twentieth-century theater. The story line revolves around two seemingly homeless men waiting for someone--or something--named Godot. Vladimir and Estragon wait near a tree on a barren stretch of road, inhabiting a drama spun from their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as a somber summation of mankind's inexhaustible search for meaning. Beckett's language pioneered an expressionistic minimalism that captured the existentialism of post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.