How to Train Your Dragon 3 by 
The Rocketeer by 
Gremlins by 
BattleTech Collector's Edition Score Book by 
Edward Scissorhands by 
The red pony : film suite for orchestra by 
Concerto 4-3 by 
Il trittico : Il tabarro, Suor Angelica, Gianni Schicchi by 
Solo Piano by
(Music Sales America). A collection of Glass's solo piano music, including "Metamorphoses One to Five" collected together for the first time. Suitable for intermediate to advanced pianists. Contents: Metamorphosis 1-5 * Mad Rush * Wichita Vortex Sutra
Divertimento, for string orchestra by 
City Noir by
(Boosey & Hawkes Scores/Books). " City Noir is a symphony inspired by the peculiar ambience and mood of Los Angeles 'noir' films, especially those produced in the late forties and early fifties. My music is an homage not necessarily to the film music of that period but rather to the overall aesthetic of the era. This symphony becomes the third in a triptych of orchestral works that have as their theme the California experience, its landscape and its culture. The two previous are The Dharma at Big Sur and El Dorado . City Noir was commissioned by the Los Angeles Philharmonic in association with the London Symphony Orchestra, Cite de la Musique and ZaterdagMatinee." -John Adams
The Reel World by
This fully updated and complete guide takes you inside the world of creating music for film, television, and--unique to this third edition--video games. Industry expert Jeff Rona addresses a wide range of topics including musical aesthetics, cutting-edge technology and techniques, and current business aspects. It is packed with interviews with the most influential film, television, and video game composers, along with music editors, music supervisors, agents, contractors and studio executives. Packed with insider's tips, the book also advises on how to nurture positive relationships within your creative team and business contacts. Includes interviews with John Williams, Carter Burwell, James Newton Howard, Hans Zimmer, Mark Isham, Basil Poledouris, Ludwig Göransson, Marc Shaiman, John Powell, Wendy and Lisa, Joseph Trapanese, and Michael Giacchino. The book addresses: The Creative Process Making good musical choices The psychology of a good score Continuity and contrast, economy and musicality The importance of styles Technology The best gear for film, TV and video game scoring Home studio design Synchronization Mixing for film, TV and video game scoring Career Getting started Industry politics Demoing and finances For the aspiring film, TV or video game composer, this book is a veritable cornucopia of useful information for pursuing scoring to picture as a career.
Understanding Game Scoring by
Understanding Game Scoring explores the unique collaboration between gameplay and composition that defines musical scoring for video games. Using an array of case studies reaching back into the canon of classic video games, this book illuminates the musical flexibility, user interactivity and sound programming that make game scoring so different from traditional modes of composition. Mack Enns explores the collaboration between game scorers and players to produce the final score for a game, through case studies of the Nintendo Entertainment System sound hardware configuration, and game scores, including the canonic scores for Super Mario Bros. (1985) and The Legend of Zelda (1986). This book is recommended reading for students and researchers interested in the composition and production of video game scores, as well as those interested in ludo-musicology.
How to Write for Percussion by
While composers and percussionists are working more closely than ever with one another, there are few resources that address this collaborative relationship in depth. However, Samuel Z. Solomon, himself a percussionist and teacher, offers a comprehensive examination of the issues thatpercussionists and composers encounter in How to Write for Percussion. The first edition, self-published in 2004, provided musicians and music programs the world over with practical and indispensible information about issues of notation, concert production, and much more. This new edition goes evenfurther as Solomon offers more insights derived from his personal experience as a percussionist and teacher and from his collaborations with other musicians.The second edition of How to Write for Percussion expands the survey of behind-the-scenes processes-from instrument choice and notation to logistics, execution, and concert production-to uncover all the tools a composer needs to comfortably create innovative and skilled percussion composition.Solomon also includes more excerpts and performances as well as interviews with famous percussionists and composers that capture the intricacies of percussion composition. Moreover, the second edition features an expanded text with more instruments and more analysis, plus an extensive Online VideoCompanion containing over nine hours of videos with demonstrations, performances, interviews, and analysis to flesh out and clarify the material in the book. This updated edition of How to Write for Percussion will appeal to a wide swath of musicians including composers, arrangers, andpercussionists. Those who have already utilized the first edition will welcome the upgrade, and those who have yet to benefit from Solomon's perspective will likewise find his insights illuminating.
Alfredo Casella/Virgilio Mortari - the Technique of Contemporary Orchestration by
(Misc). Originally published in 1948, this orchestration manual is one of the cornerstone texts on the topic, but has never before been published in English. Profusely illustrated with musical examples, this manual gives technical and subjective advice about writing for each of the instruments of the orchestra. Paperback, 278 pages.
Game Audio Mixing by
Game Audio Mixing offers a holistic view of the mixing process for games, from philosophical and psychological considerations to the artistic considerations and technical processes behind acoustic rendering, interactive mixing, mastering, and much more. This book includes a comprehensive overview of many game audio mixing techniques, processes, and workflows, with advice from audio directors and sound supervisors. Through a series of accessible insights and interviews, the reader is guided through cutting-edge tips and tricks to equip them to improve their own mixing practice. As well as covering how to plan and create a mix that is clear, focused, and highly interactive, this book provides information about typical mixing tools and techniques, such as dealing with bus structure, frequency spectrum, effects, dynamic, volume, 2D and 3D spaces, and automations. Key information about how to deal with a large number of sounds and their prioritization in the mix is also included, from high-level mixing visions to in-depth designs with sound categorizations at the core. Game Audio Mixing is essential reading for all game audio professionals, including those new to the industry, as well as experienced professionals working on AAA and indie titles, in addition to aspiring professionals and hobbyists.
Creative Strategies in Film Scoring by
(Berklee Guide). Create effective film scores! This book presents a framework for creative decision-making that will lead to producing the best music for a given scene. It supports artists working in film, television, video games, or other media. The framework encourages clarity of concept and facilitates productive communication between the composer and director, music supervisor, and others involved with the project. Two case studies, featuring audio and video, illustrate how different creative choices can control the expressive effect of the scene. Practical worksheets are included, which will help your team brainstorm, articulate, organize, and communicate your collective ideas and decisions. Whether you are creating music yourself or working with a composer, this book will help you develop the music that is optimized for storytelling.
Music in Action Film : sounds like action! by
"Music in Action Film is the first volume to address the central role of music and sound in action film - arguably the most dominant form of commercial cinema today. Bringing together fifteen essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies"--
The Film Music of John Williams : reviving Hollywood's classical style by
From the triumphant 'Main Title' in Star Wars to the ominous bass line of Jaws, John Williams has penned some of the most unforgettable film scores-while netting more than fifty Academy Award nominations. This updated and revised edition of Emilio Audissino's groundbreaking volume takes stock of Williams's creative process and achievements in music composition, including the most recent sequels in the film franchises that made him famous. Audissino discusses Williams's unique approach to writing by examining his neoclassical style in context, demonstrating how he revived and revised classical Hollywood music. This volume details Williams's lasting impact on the industry and cements his legacy as one of the most important composers in movie history. A must for fans and film-music lovers alike.
