Nights in the gardens of Spain Piano concerto by 
Rodrigo: Complete Piano Works (CD 1) by 
Rodrigo: Guitar Works by
conducted by André Previn, 1929-2019; performed by André Previn, 1929-2019 and Angel Romero, London Symphony Orchestra (LSO)
Enrique Granados: Goyescas by 
GRANADOS, E.: 12 Danzas españolas (Spanish Dances) (Larrocha) by 
Capriccio Espagnol and Other Concert Favorites in Full Score by 
El sombrero de tres picos by
Digital Score, https://catalog.berklee.edu:2443/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsasp&AN=edsasp.ASP3295790.shm4&site=eds-live
Iberia and Espana by
Isaac Alb#65533;niz (1860–1909) began his musical life as a piano prodigy in Barcelona at the age of four, and it is as a prolific composer of solo works for the pianoforte that we celebrate him most. This inexpensive Dover edition, designed to give you a lifetime of musical enjoyment, presents two of Alb#65533;niz's best-known works in authoritative editions: the piano suite Iberia, generally considered to be his masterpiece; and Espa#65533;a, which contains the "Tango," his most popular individual work. Iberia is a collection of twelve musical scenes of Spanish life, principally Andalusian, written in the years from 1906 to 1909. Its brilliant and complex character is suffused with the rhythms and harmonies of Spanish popular music, to which Alb#65533;niz turned for inspiration in the last years of his life. Espa#65533;a, an earlier work first published in 1890, is made up of six piano pieces that subtly reflect the influences of the piano literature of the nineteenth-century salon and — like Iberia — the harmony and style of impressionism, which Alb#65533;niz himself helped to create. Both works reveal characteristics of the highly individualized piano technique Alb#65533;niz developed from early childhood and perfected under the tutelage of Liszt.
Concierto de Aranjuez by 
Recuerdos De La Alhambra by 
The best of Frederic Mompou in thirty-one pieces for piano by 
Manuel de Falla by
Harper aims to provide readers with a deeper, more accurate understanding of Falla's creative process by drawing from a complete array of rare, authentic sources including Falla's own personal library, valuable sketch material, and the more than 20,000 pieces of correspondence maintained in Granada, Spain by the Manuel de Falla Archive. The book is arranged in three sections. The first part of the book, organized according to Falla's geographical stays, attempts to clarify certain aspects of Falla's life that have to date been ambiguous or unknown. The second section engages various prominent aspects of Falla's character, such as his relationship with his European contemporaries. In this second section, significant collaborations with prestigious Falla specialists - Louis Jambou, Michael Christofordis, and Chris Collins - have greatly enhanced the dimension of the topics addressed. The book's final section attempts to introduce readers to the most recent information available. It is generously illustrated with manuscript examples and is organized according to the stylistic classifications of the Manuel de Falla Archive's Musical Director, which greatly assist in clarifying the development of Falla's creative process. A chronologically-arranged photo section rounds out this offering that will be of great significance to music students and teachers, as well as those with an interest in Spanish culture.
