Barracoon by
New York Times Bestseller * TIME Magazine's Best Nonfiction Book of 2018 * New York Public Library's Best Book of 2018 * NPR's Book Concierge Best Book of 2018 * Economist Book of the Year * SELF.com's Best Books of 2018 * Audible's Best of the Year * BookRiot's Best Audio Books of 2018 * The Atlantic's Books Briefing: History, Reconsidered * Atlanta Journal Constitution, Best Southern Books 2018 * The Christian Science Monitor's Best Books 2018 * "A profound impact on Hurston's literary legacy."--New York Times "One of the greatest writers of our time."--Toni Morrison "Zora Neale Hurston's genius has once again produced a Maestrapiece."--Alice Walker A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade--abducted from Africa on the last "Black Cargo" ship to arrive in the United States. In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past--memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War. Based on those interviews, featuring Cudjo's unique vernacular, and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.
Between the World and Me by
In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation's history and current crisis. Americans have built an empire on the idea of "race," a falsehood that damages us all but falls most heavily on the bodies of black women and men--bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates's attempt to answer these questions in a letter to his adolescent son. Coates shares with his son--and readers--the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children's lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage.
Black Diamond Queens by
African American women have played a pivotal part in rock and roll--from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
Black Lives Matter and Music by
Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar's "Alright," J. Cole's "Be Free," D'Angelo and the Vanguard's "The Charade," The Game's "Don't Shoot," Janelle Monae's "Hell You Talmbout," Usher's "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
The Heart of a Woman by
The Heart of a Woman offers the first-ever biography of Florence B. Price, a composer whose career spanned both the Harlem and Chicago Renaissances, and the first African American woman to gain national recognition for her works. Price's twenty-five years in Chicago formed the core of a working life that saw her create three hundred works in diverse genres, including symphonies and orchestral suites, art songs, vocal and choral music, and arrangements of spirituals. Through interviews and a wealth of material from public and private archives, Rae Linda Brown illuminates Price's major works while exploring the considerable depth of her achievement. Brown also traces the life of the extremely private individual from her childhood in Little Rock through her time at the New England Conservatory, her extensive teaching, and her struggles with racism, poverty, and professional jealousies. In addition, Brown provides musicians and scholars with dozens of musical examples.
Odetta by
The first in-depth biography of Odetta, the legendary singer and "Voice of the Civil Rights Movement" who combatted racism and prejudice through her music. leader of the 1960s folk revival, Odetta is one of the most important singers of the last 100 years. Her music has influenced a huge number of artists over many decades, including Bob Dylan, Joan Baez, Harry Belafonte, Judy Collins, Janis Joplin, the Kinks, Carly Simon, Jewel and, more recently, Rhiannon Giddens and Miley Cyrus. But Odetta's importance extends far beyond music. Journalist Ian Zack follows Odetta from her beginnings in a deeply segregated Birmingham, Alabama to stardom in Los Angeles, where she helped the national heal after 9/11 through her music. It's hard to imagine the Civil Rights Movement without her opera-trained voice echoing at the March on Washington, the Selma to Montgomery march, and countless other rallies and protests, large and small. Odetta channeled her anger and shame into some the most powerful folk music the nation has ever heard. Through her lyrics and iconic persona, Odetta influenced lasting political, social, and cultural change. Through interviews with Joan Baez, Harry Belafonte, Judy Collins, Carly Simon, and many more, Ian Zack brings Odetta back into the spotlight, reminding the world of the folk music that powered the Civil Rights Movement and continues to influence generations of musicians today.
Sister Outsider: essays and speeches by
In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde-scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published.
The Souls of Black Folk by
The Souls of Black Folk is a classic work of American literature by W. E. B. Du Bois. It is a seminal work in the history of sociology, and a cornerstone of African-American literary history. To develop this groundbreaking work, Du Bois drew from his own experiences as an African-American in the American society. Outside of its notable relevance in African-American history, The Souls of Black Folk also holds an important place in social science as one of the early works in the field of sociology.
Assata by
This presents the life story of African American revolutionary Shakur, previously known as JoAnne Chesimard.
Redefining Realness by
New York Times Bestseller * Winner of the 2015 WOMEN'S WAY Book Prize * Goodreads Best of 2014 Semi-Finalist * Books for a Better Life Award Finalist * Lambda Literary Award Finalist * Time Magazine "30 Most Influential People on the Internet" * American Library Association Stonewall Honor Book In her profound and courageous New York Times bestseller, Janet Mock establishes herself as a resounding and inspirational voice for the transgender community--and anyone fighting to define themselves on their own terms. With unflinching honesty and moving prose, Janet Mock relays her experiences of growing up young, multiracial, poor, and trans in America, offering readers accessible language while imparting vital insight about the unique challenges and vulnerabilities of a marginalized and misunderstood population. Though undoubtedly an account of one woman's quest for self at all costs, Redefining Realness is a powerful vision of possibility and self-realization, pushing us all toward greater acceptance of one another--and of ourselves--showing as never before how to be unapologetic and real.
The Color Purple Collection by
Three novels by a New York Times-bestselling author--including the Pulitzer Prizewinner The Color Purple--that speak to the African experience in America. The Color Purple is Alice Walker's stunning, Pulitzer Prize-winning novel of courage in the face of oppression. Celie grows up in rural Georgia, navigating a childhood of ceaseless abuse. Not only is she poor and despised by the society around her, she's badly treated by her family. As a teenager she begins writing letters directly to God in an attempt to transcend a life that often seems too much to bear. Her letters span twenty years and record a journey of self-discovery and empowerment through the guiding light of a few strong women and her own implacable will to find harmony with herself and her home. In The Temple of My Familiar, Celie and Shug from The Color Purple follow the lives of a brilliant cast of characters, all dealing in some way with the legacy of the African experience in America. From recent African immigrants, to a woman who grew up in the mixed-race rainforest communities of South America, to Celie's own granddaughter living in modern-day San Francisco, all must come to understand the brutal stories of their ancestors to come to terms with their own troubled lives. Possessing the Secret of Joy portrays Tashi's tribe, the Olinka, where young girls undergo genital mutilation as an initiation into the community. Tashi manages to avoid this fate at first, but when pressed by tribal leaders, she submits. Years later, married and living in America as Evelyn Johnson, Tashi's inner pain emerges. As she questions why such a terrifying, disfiguring sacrifice was required, she sorts through the many levels of subjugation with which she's been burdened over the years. Hailed by the Washington Post as "one of the best American writers of today," Alice Walker is a master storyteller and a major voice in modern literary fiction.
The Ways of White Folks by
A collection of vibrant and incisive short stories depicting the sometimes humorous, but more often tragic interactions between Black people and white people in America in the 1920s and '30s. One of the most important writers to emerge from the Harlem Renaissance, Langston Hughes is best known as a poet, but these stories showcase his talent as a lively storyteller. His work blends elements of blues and jazz, speech and song, into a triumphant and wholly original idiom. Stories included in this collection: "Cora Unashamed" "Slave on the Block" "Home" "Passing" "A Good Job Gone" "Rejuvenation Through Joy" "The Blues I'm Playing" "Red-Headed Baby" "Poor Little Black Fellow" "Little Dog" "Berry" "Mother and Child" "One Christmas Eve" "Father and Son"
Binti: the Complete Trilogy by
Includes a brand-new Binti story! Collected for the first time in an omnibus edition, the Hugo- and Nebula-award-winning Binti trilogy, the story of one extraordinary girl's journey from her home to distant Oomza University. In her Hugo- and Nebula-winning novella, Nnedi Okorafor introduced us to Binti, a young Himba girl with the chance of a lifetime: to attend the prestigious Oomza University. Despite her family's concerns, Binti's talent for mathematics and her aptitude with astrolabes make her a prime candidate to undertake this interstellar journey. But everything changes when the jellyfish-like Medusae attack Binti's spaceship, leaving her the only survivor. Now, Binti must fend for herself, alone on a ship full of the beings who murdered her crew, with five days until she reaches her destination. There is more to the history of the Medusae--and their war with the Khoush--than first meets the eye. If Binti is to survive this voyage and save the inhabitants of the unsuspecting planet that houses Oomza Uni, it will take all of her knowledge and talents to broker the peace. Collected now for the first time in omnibus form, follow Binti's story in this groundbreaking sci-fi trilogy.
Beloved by
Staring unflinchingly into the abyss of slavery, this spellbinding New York Times bestseller transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement.
The Bluest Eye by
Nobel Prize winner Toni Morrison powerfully examines our obsession with beauty and conformity--and asks questions about race, class, and gender with her characteristic subtly and grace. In Morrison's bestselling first novel, Pecola Breedlove--an 11-year-old Black girl in an America whose love for its blond, blue-eyed children can devastate all others--prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning, and the tragedy of its fulfillment. Here, Morrison's writing is "so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry" (The New York Times).
Jazz by
"Transforms a familiar refrain of jilted love into a bold, sustaining time of self-knowledge and discovery. Its rhythms are infectious." --People In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe's wife, Violet, attacks the girl's corpse. This passionate, profound story of love and obsession brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of black urban life. "The author conjures up worlds with complete authority and makes no secret of her angst at the injustices dealt to black women." --The New York Times Book Review
A Lesson Before Dying by
"This majestic, moving novel is an instant classic, a book that will be read, discussed and taught beyond the rest of our lives."--Chicago Tribune Winner of the National Book Critics Circle Award, A Lesson Before Dying is a deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting. From the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman.
Giovanni's Room by
James Baldwin's groundbreaking novel about love and the fear of love is set among the bohemian bars and nightclubs of 1950s Paris. In the 1950s Paris of American expatriates, liaisons, and violence, a young man finds himself caught between desire and conventional morality. With a sharp, probing imagination, James Baldwin's now-classic narrative delves into the mystery of loving and creates a moving, highly controversial story of death and passion that reveals the unspoken complexities of the human heart. "A book that belongs in the top rank of fiction." --The Atlantic
Go Tell It on the Mountain by
In one of the greatest American classics, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else." "With vivid imagery, with lavish attention to details ... [a] feverish story." --The New York Times
Appropriate/An Octoroon by
With a sharp eye for the dark underbelly of human behavior, Branden Jacobs-Jenkins' new play incisively depicts the declining, dog-eat-dog industry of publishing in New York City. While an unnamed magazine struggles with the world's descent into the digital age, the human relationships within simultaneously implode--all the while governed by ferocious wit and corrosive dialogue.
Barbecue by
"Searing and sensationally funny... As raw in its language and raucous in spirit as it is smart and provocative."--The New York Times "Funny, smutty and enticingly subversive. . . . A toxically satiric portrait of American life."--Washington Post "When I told my mother that a theater was putting on my play Bootycandy, her response was, 'What?! Bootycandy? These white folks are going to let you put on a play called Bootycandy?!? Are they crazy?' And my response was, 'Yes. Yes indeed.'"--Robert O'Hara Sutter is on an outrageous odyssey through his childhood home, his church, dive bars, motel rooms, and even nursing homes. The journey uncovers characters who are at once fascinating, zany, controversial, and even a bit smutty, painting a portrait of life as a societal outlier. Based on the author's personal experience, Bootycandy is a kaleidoscope of sketches that interconnects to portray growing up gay and black. This subversive, uproarious satire crashes headlong into the murky terrain of pain and pleasure and . . . BOOTYCANDY! Robert O'Hara is a playwright and director. His play Antebellum received a world premiere production from Woolly Mammoth Theater Company, and earned him a Helen Hayes Award for Outstanding New Play. He reworked The Wiz for its revival at La Jolla Playhouse. He wrote and directed the world premiere of Insurrection: Holding History (Public Theater, Oppenheimer Award for Best New American Play). As a director, he has won an Obie Award and an NAACP Best Director Award and has worked at acclaimed theaters throughout the United States.
The Complete Poetry by
The beauty and spirit of Maya Angelou's words live on in this complete collection of poetry. Throughout her illustrious career in letters, Maya Angelou gifted, healed, and inspired the world with her words. Now the beauty and spirit of those words live on in this new and complete collection of poetry that reflects and honors the writer's remarkable life. Every poetic phrase, every poignant verse can be found within the pages of this sure-to-be-treasured volume--from her reflections on African American life and hardship in the compilation Just Give Me a Cool Drink of Water 'fore I Diiie ("Though there's one thing that I cry for / I believe enough to die for / That is every man's responsibility to man") to her revolutionary celebrations of womanhood in the poem "Still I Rise" ("Out of the huts of history's shame / I rise / Up from a past that's rooted in pain / I rise") to her "On the Pulse of Morning" tribute at President William Jefferson Clinton's inauguration ("Lift up your eyes upon / The day breaking for you. / Give birth again / To the dream."). Maya Angelou: The Complete Poetry also features her final long-form poems, including "A Brave and Startling Truth," "Amazing Peace," "His Day Is Done," and the honest and endearing Mother: "I feared if I let you go You would leave me eternally. You smiled at my fears, saying I could not stay in your lap forever" This collection also includes the never-before-published poem "Amazement Awaits," commissioned for the 2008 Olympic Games: "We are here at the portal of the world we had wished for At the lintel of the world we most need. We are here roaring and singing. We prove that we can not only make peace, we can bring it with us." Timeless and prescient, this definitive compendium will warm the hearts of Maya Angelou's most ardent admirers as it introduces new readers to the legendary poet, activist, and teacher--a phenomenal woman for the ages.
The Essential Gwendolyn Brooks by
Discover the most enduring works of legendary poet Gwendolyn Brooks--the first black author to win a Pulitzer Prize--in one collectible volume "If you wanted a poem," wrote Gwendolyn Brooks, "you only had to look out of a window. There was material always, walking or running, fighting or screaming or singing." From the life of Chicago's South Side she made a forceful and passionate poetry that fused Modernist aesthetics with African-American cultural tradition, a poetry that registered the life of the streets and the upheavals of the 20th century. Starting with A Street in Bronzeville (1945), her epoch-making debut volume, The Essential Gwendolyn Brooks traces the full arc of her career in all its ambitious scope and unexpected stylistic shifts. "Her formal range," writes editor Elizabeth Alexander, "is most impressive, as she experiments with sonnets, ballads, spirituals, blues, full and off-rhymes. She is nothing short of a technical virtuoso." That technical virtuosity was matched by a restless curiosity about the life around her in all its explosive variety. By turns compassionate, angry, satiric, and psychologically penetrating, Gwendolyn Brooks's poetry retains its power to move and surprise. About the American Poets Project Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.
Father Comes Home from the Wars by
Offered his freedom if he joins his master in the ranks of the Confederacy, Hero, a slave, must choose whether to leave the woman and people he loves for what may be another empty promise. As his decision brings him face to face with a nation at war with itself, the ones Hero left behind debate whether to escape or wait for his return, only to discover that for Hero, freedom may have come at a great spiritual cost. A devastatingly beautiful dramatic work, Father Comes Home from the Wars (Parts 1, 2, & 3) is the opening trilogy of a projected nine-play cycle that will ultimately take us into the present.
Gloria (TCG Edition) by
An ambitious group of editorial assistants at a prestigious Manhattan-based literary magazine are each chasing the same dream: a life as successful writers--and to get out of their cubicles before they turn thirty. When a regular day at the office suddenly becomes anything but, the stakes for who will get to tell the career-making story are higher than ever.
Let Me down Easy by
Compiled from dozens of interviews conducted by the author, Anna Deavere Smith's Let Me Down Easy is a bracing, tender, melancholy, and triumphant exploration of death and dying. The speakers Smith inhabits include healthcare professionals, theologians, artists, athletes, and activists. They speak of the body as a battleground, a tool, a weapon, a joy, a burden. Smith's great gift has always been her ability to break down her subjects' defenses and present them in their full, complicated beauty. Whether channeling Lance Armstrong, Lauren Hutton, Peter Gomes, or others who are not in the public eye, Smith reminds us again and again that in learning to die we learn to live.
Pass Over by
Moses and Kitch stand around on the corner--talking shit, passing the time, and hoping that maybe today will be different. As they dream of their promised land, a stranger wanders into their space with his own agenda and derails their plans. Emotional and lyrical,Pass Over crafts everyday profanities into poetic and humorous riffs, exposing the unquestionable human spirit of young men stuck in a cycle that they are desperately trying to escape. Spike Lee directed a film version of the play that premiered at the 2018 Sundance Film Festival and South by Southwest, and was produced by Amazon Studios. A provocative riff on the Book of Exodus andWaiting for Godot,Pass Over is a remarkable work of politically-charged theater by a bold new American voice. A provocative riff on the Book of Exodus andWaiting for Godot,Pass Over is a remarkable work of politically-charged theater by a bold new American voice.
The Red Letter Plays by
The playwright who "has burst through every known convention to invent a new theatrical language, like a jive Samuel Beckett, while exploding American cultural myths and stereotypes along the way [John Heilpern, New York Observer and Vogue]," has written two haunting riffs on Hawthorne's The Scarlett Letter: In the Blood and Fucking A. Hester La Negrita of In the Blood is an unapologetic mother of five illegitimate children--"my treasures, my five joys"--who practices writing the alphabet to help herself "one day get a leg up. The letter A is as far as she gets. Hester Smith of Fucking A works the only job available--abortionist to the lower class, in order to save for a reunion picnic with her imprisoned son. Her branded A bleeds afresh every time a patient comes to see her. These are two mature, beautifully crafted, inventive and poetic plays by one of the most unique voices writing for the stage today.
We Speak Your Names by
For centuries, African American women have been remaking the world, giving testament to the power of hope, courage, and resilience. But it took the inspired generosity of Oprah Winfrey to honor fully the many gifts of sisterhood. For three amazing days–from May 13 to 15, 2005–a distinguished group of women was invited to celebrate the enduring achievements of twenty-five of their mentors and role models–and in the process pay tribute to the long, glorious tradition of African American accomplishment. The brilliant centerpiece of the weekend was the reading aloud of Pearl Cleage’s poem “We Speak Your Names,” written especially for the occasion and appearing here for the first time in this beautiful keepsake book. As deeply moving in print as it was during that weekend of love and praise, the poem names each of the women honored: Dr. Maya Angelou, Coretta Scott King, Diahann Carroll, Toni Morrison, Nikki Giovanni, Rosa Parks, Katherine Dunham, and other legends of the brightest magnitude. With heartfelt eloquence, Pearl Cleage (herself a luminary of the younger generation) celebrates her distinguished elders’ strength, their magic, their sensuality, their loving kindness, their faith in themselves, and the priceless example of their lives. In her introduction, the poet shares: “My sisters, here, there, and everywhere, this poem is for you. Use it, adapt it, pass it on. . . .” Destined to become a classic, We Speak Your Names is a treasure to keep forever and a precious, inspiring gift for the ones you love.
Jitney by
Only one of the plays in two-time Pulitzer Prize winner August Wilson's masterful The American Century Cycle has never been seen on Broadway--until now. In his preface to this Broadway edition of Jitney, director Ruben Santiago-Hudson writes: "There had been nine jewels placed in August Wilson's formidable crown, each had changed the landscape of Broadway in their respective seasons. Until now, only one gem was missing. With this production of Jitney at the Manhattan Theatre Club's Samuel J. Friedman Theatre the final gem is in place."Set in the 1970s, this richly textured piece follows a group of men trying to eke out a living by driving unlicensed cabs, or jitneys. When the city threatens to board up the business and the boss's son returns from prison, tempers flare, potent secrets are revealed and the fragile threads binding these people together may come undone at last.In addition to the essential and insightful preface by Ruben Santiago-Hudson, this edition boasts production stills from the Manhattan Theatre Club's Broadway production, directed by Santiago-Hudson and featuring Harvy Blanks, Anthony Chisholm, Brandon J. Dirden, André Holland, Carra Patterson, Michael Potts, Keith Randolph Smith, Ray Anthony Thomas, and John Douglas Thompson.
Swank Digital Campus (you may have to create a login to access these films)
Angela Y. Davis: How Does Change Happen?
University of California Television (UCTV) (2007)
Insights on what strategies for change have made an impact historically and what may do so in the contemporary moment
