Arranging Concepts Complete
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A comprehensive text that covers the characteristics and ranges of each instrument in the stage band; analyzing and arranging many musical styles, voice leading, passing chords, modulations, intros, endings, turn-arounds and orchestration. The comb binding creates a lay-flat book that is perfect for study and performance.
Arranging for Horns by Jerry Gates Book/Online Audio
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(Berklee Guide). Write for a horn section! In this book, you will learn how to add saxophones and brass to a rhythm section ensemble. You will learn the capabilities and characteristics of the most common instruments, and how to order them effectively. You will also learn the different roles that a horn section can serve in your ensemble. Online audio tracks demonstrate the key concepts, as exemplified in a complete score. Online audio is accessed at halleonard.com/mylibrary
Arranging for Open Guitar Tunings
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(Guitar). This book/CD pack teaches intermediate-level guitarists how to choose an appropriate tuning for a song, develop an arrangement, and solve any problems that may arise while turning a melody into a guitar piece to play and enjoy.
Arranging for Strings Book/Online Audio
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(Berklee Guide). Learn to use strings in your compositions and arrangements! From romantic chord pads to powerful grooves to gut-wrenching passionate melodies, strings do it all. This book presents time-tested techniques and contemporary developments in writing and arranging for strings. You'll learn strategies for authentic writing in many different styles and find ideas to take your personal sound forward. Discover voicings that work best for each project and explore the intricacies of bowing. Hear articulation approaches from pads to chopping in the online audio examples. See how other composers have used strings to heighten the impact of their music in the written examples. Make your work stand out with the drama and depth that well informed string writing can bring. You will learn: * The tunings, range, and timbres for the violin, viola, cello, and bass, including standard instruments and common variations, including acoustic, electric, and synthesized string instruments and sections * Bowing techniques and possibilities * Characteristic articulations and sounds, such as vibrato, pizzicato, sul tasto, trills, tremolos, and harmonics * Timbral and rhythm effects, such as chop technique, ponticello/feedback, portamento, and falls * String-section arranging techniques, such as melody/countermelody, fills, pads, and comping * Stylistic nuances of genres such as American roots, Celtic, jazz, rock, klezmer, eastern European, Gypsy jazz, and swing * Mic, recording, and live sound techniques for capturing the best string sounds for both acoustic and electric instruments
Arranging Songs
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(Book). This book explores arranging essentials such as grouping instruments effectively, using multi-track recording, artfully layering parts, achieving a good mix, and creating unusual arrangements using common techniques. The accompanying CD illustrates all of the techniques presented in the book. Guitar chord boxes are included for the CD tracks where appropriate.
Arranging the Score
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Thirteen original essays from one of the world's greatest jazz writers draw together observations on the craft of the arranger. Ranging from big bands to studio backings for singers, Lees brings his characteristic blend of personal and inside knowledge, keen reportage and trenchant criticism to bear on major figures in music arrangement. His portrait of Miles Davis's arranger Gil Evans is one of the few essays written on this significant composer.
Basics in Jazz Arranging
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(Jazz Instruction). Renowned educator and writer Paris Rutherford has adapted the text he used for over 30 years in teaching university-level arranging at one of the nation's most illustrious jazz schools. For anyone wanting to enter the exciting world of jazz arranging, this book is a must-have resource! Useful as a classroom teaching tool for beginning arrangers or as a self-study book, this clearly written and engaging text will get you off to a great start that will have players and audiences alike enjoying your music! Includes Rutherford's original compositions and small group charts, along with a CD that features both full performances and rhythm-section-only tracks for personal or group practice.
Composing and Arranging for the Contemporary Big Band
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This book follows the creative process from the composition of a tune through further development and orchestration, to a complete arrangement for big band. The music from the CD Prism featuring the GRAMMY(R) Award-winning WDR Big Band and drummer Peter Erskine is the content through which the creative discipline of writing for big band is illustrated and discussed, including melody harmonization for individual sections and full ensemble, writing for the rhythm section, contrapuntal writing, passing harmonies and harmonic embellishment, thematic development, harmonic backgrounds, introductions, interludes, endings, and orchestration, including the use of woodwind doubles and brass mutes.
The Contemporary Arranger
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An authoritative, easy-to-understand text covering all aspects of arranging. The comb binding creates a lay-flat book that is perfect for study and performance.
Counterpoint in Jazz Arranging Book/Online Audio
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(Berklee Guide). Add dimension and interest to your music. This essential, core material is for anyone who arranges jazz standards or writes original jazz compositions. This book will help you craft melodies, countermelodies, bass lines, and grooves. It will help you manage the intricacies of interactive lines, control dissonance, and improve melodic development. Carefully guided exercises let you practice exploring and controlling contrapuntal relationships. The accompanying recordings demonstrate techniques in typical jazz arrangements. Audio tracks feature a live jazz ensemble of veteran Berklee faculty members, illustrating the counterpoint examples so that you can hear them applied in a realistic musical context.
Jazz Arranging
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Comparable to a course, the reader will be guided step by step from the grassroots to more advanced and complex ways of writing. Here, it is not intended to simply float some apodictic rules that lack proper explanation. On the contrary, the explanations given will cover the questions time and again asked by students as well as the issues arising when working in an artistic situation. Through refined verbalization and a vast number of musical examples this book should contribute to a clear understanding of these guidelines, and foster the student's ability to realize the issues when arranging.
Jazz Composition and Arranging in the Digital Age
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Jazz Composition and Arranging In the Digital Age is a comprehensive and practical instructional book and reference guide on the art and craft of jazz composition and arranging for small and large ensembles. In this book, veteran composers and arrangers Richard Sussman and Michael Abenecombine their extensive years of experience as musicians and instructors to demonstrate how advances in music technology and software may be integrated with traditional compositional concepts to form a new and more efficient paradigm for the creative process.
Choral Composition
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This comprehensive handbook details the fundamentals and forms of choral composition and expands upon the coverage and number of topics in Archibald T. Davison's 1945 classic text Choral Composition. Historical trends in choral composition are traced with a special emphasis on the profusion of changes that occurred throughout the twentieth century, particularly since 1950. Early chapters focus on characteristics of voice, notation, text, devices, part writing, a cappella and instrumental accompaniments, and choral forms. Hines goes on to analyze the utilization of soloists and choruses with instrumental chamber ensembles, orchestra, and the role of the chorus in opera, operetta, musicals, and music theater. A final chapter addresses practical concerns: music publication and how the artist can function effectively in that world.
Composition-A New Approach
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Composition for Computer Musicians
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You might be extremely knowledgeable about the software that you use, have a good understanding of your own genre, and even have a good basic understanding of music theory. However, this does not necessarily mean that you can write effective music tracks. You need another kind of knowledge as well - the knowledge of composition. This friendly guide explains the basics of composing songs and music on the computer using any music creation and recording program, whether you choose Reason, Live, Cubase, Logic, Pro Tools, Digital Performer, Finale, Sibelius, FL Studio, SONAR, or anything else. It's not as hard as it sounds, and this book eases the learning curve so you'll be making music in no time. You'll quickly learn how to program rhythm and drums, create bass lines and melodic leads, and use FX and samples. You'll also learn about mixing and mastering your track and distributing it to a mass audience. Composition for Computer Musicians explains it all while showing you the basics of music theory throughout so you'll be sure you're not just making noise on the computer - you're using your computer to make professional-sounding music.
Contemporary Counterpoint
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Use counterpoint to make your music more engaging and creative. Counterpoint the relationship between musical voices is among the core principles for writing music, and it has been central to the study of composition for many centuries. Whether you are a composer, arranger, film composer, orchestrator, music director, bandleader, or improvising musician, this book will help hone your craft, gain control, and lead you to new creative possibilities. You will learn "tricks of the trade" from the masters and apply these skills to contemporary styles. Online audio examples illustrate the principles being discussed, and many recommended listening lists point you to additional examples of how these principles have been used in music over the past thousand years.
The Craft of Musical Composition
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(Schott). Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician. Introductory * The Medium * The Nature of the Building Stones * Harmony * Melody * Analyses
Creating Sounds from Scratch
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Creating Sounds from Scratch is a practical, in-depth resource on the most common forms of music synthesis. It includes historical context, an overview of concepts in sound and hearing, and practical training examples to help sound designers and electronic music producers to effectivelymanipulate presets and create new sounds from scratch.The book covers the all of the main main synthesis techniques including analog subtractive, FM, additive, physical modeling, wavetable, sample-based, and granular.
Modal Music Composition
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Audio CD included with music examples and 3 Study Compositions
Music Notation
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(Berklee Guide). Whether you notate music by hand or use computer software, this practical reference will show you today's best practices rendering the details of your scores and parts. Improve your music's legibility and express your ideas clearly to get the best possible representation of your music.
Rhythmic Compositions - Etudes for Performance and Sight Reading
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(Percussion). Each dedicated to difficulty levels as defined by SmartMusic guidelines, this series of three books features 30 etudes written for each of the ten SmartMusic levels. Though the etudes are perfect for sight-reading, they also stand up on their own and can be utilized as individual, musical performance pieces. This book covers SmartMusic levels 9-10 (advanced).
As Heard on TV: Popular Music in Advertising
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The use of popular music in advertising represents one of the most pervasive mergers of cultural and commercial objectives in the modern age. Steady public response to popular music in television commercials, ranging from the celebratory to the outraged, highlights both unresolved tensions around such partnerships and the need to unpack the complex issues behind everyday media practice. Through an analysis of press coverage and interviews with musicians, music supervisors, advertising creatives, and licensing managers, As Heard on TV considers the industrial changes that have provided a foundation for the increased use of popular music in advertising, and explores the critical issues and debates surrounding media alliances that blur cultural ambitions with commercial goals. The practice of licensing popular music for advertising revisits and continues a number of themes in cultural and media studies, among them the connection between authorship and ownership in popular music, the legitimization of advertising as art, industrial transformations in radio and music, the role of music in branding, and the restructuring of meaning that results from commercial exploitation of popular music. As Heard on TV addresses these topics by exploring cases involving artists from the Beatles to the Shins and various dominant corporations of the last half-century. As one example within a wider debate about the role of commerce in the production of culture, the use of popular music in advertising provides an entry point through which a range of practices can be understood and interrogated. This book attends to the relationship between popular culture and corporate power in its complicated variation: at times mutually beneficial and playfully suspicious of constructed boundaries, and at others conceived in strain and symbolic of the triumph of hypercommercialism.
Audio Branding: Using Sound to Build Your Brand
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Audio Branding is a concise, practical guide on the influential world of audio branding - what it is, why it's important, and how it can be used to enhance a brand. Consider the familiar tune of a branded ringtone, the bubbly sounds of Skype, and even the chosen sound bite for a branded car unlocking as the driver presses the key. How do these choices tie into a wider brand identity? Which emotions do they spark, and most importantly, how do these choices enhance brand association with the consumer?
JBL Audio Engineering for Sound Reinforcement
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This up-to-date book comprehensively covers all aspects of speech and music sound reinforcement. It is roughly divided into four sections: Section 1 provides the tutorial fundamentals that all audio engineers will need, discussing subjects such as fundamentals of acoustics, psychoacoustics, basic electrical theory and digital processing. Section 2 deals with the fundamental classes of hardware that the modern engineer will use, such as loudspeaker systems and components, microphones, mixers, amplifiers and signal processors. Special attention is given to digital techniques for system control and to audio signal analysis. Section 3 deals with the basics of system design, from concept to final realization. It covers topics such as basic system type and speech intelligibility, site survey, user needs analysis and project management. Section 4 discusses individual design areas, such as sports facilities, large-scale tour sound systems, high-level music playback, systems for the theater, religious facilities, and other meeting spaces. The book is written in an accessible style, but does not lack for ample amounts of technical information. It is truly a book for the 21st century! The Senior Director of Product Development and Application for JBL Professional, John Eargle is the author of The Handbook of Recording Engineering, The Microphone Book, Handbook of Sound System Design, Electroacoustical Reference Data, Music, Sound and Technology and The Loudspeaker Handbook. A 2000 Grammy Award-winner for Best Classical Engineering, Mr. Eargle is an honorary member and past national president of the Audio Engineering Society, a faculty-member of the Aspen Audio Recording Institute, and a member of the National Academy of Recording Arts and Sciences and the Academy of Motion Picture Arts and Sciences.
The Oxford Handbook of Music and Advertising
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The Oxford Handbook of Music and Advertising is an essential guide to the crucial role that music plays in relation to the audio or audiovisual advertising message, from the perspectives of its creation, interpretation, and reception. The book's unique three-part organization reflects this life cycle of an advertisement, from industry inception to mass-mediated text to consumer behaviour. Experts well versed in the practice, analysis, and empirical studies of the commercial message have contributed to the collection's forty-two chapters, which collectively represent the most ambitious and comprehensive attempt to date to address the important intersections of music and advertising.Handbook chapters are self-contained yet share borders with other contributions within a given section and across the major sections of the book, so readers can either study one topic of particular interest or read through to gain an understanding of the broader issues at stake. Within the book's Introduction, each editor has provided an overview of the unifying themes for the section for which they were responsible, with brief summaries of individual contributions at the beginnings of the sections. The lists of recommended readings at the end of chapters are intended to assist readers in finding further literature about the topic. An overview of industry practices by a music insider is provided in the Appendix, giving context for the three parts of the book.
Popular Music as Promotion
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Business-as-usual has been transformed across the music industries in the post-CD age. Against widespread hype about the purported decline of the major music labels, this book provides a critique of the ways these companies have successfully adapted to digital challenges and what is at stake for music makers and for culture. Today, recording artists are positioned as artist-brands and popular music as a product to be licensed by consumer and media brands. Leslie M. Meier examines key consequences of shifting business models, marketing strategies, and the new common sense in the music industries: the gatekeeping and colonization of popular music by brands.
The Recording Engineer's Handbook
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This Note's for You
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From Coca-Cola to Chrysler, this book takes the reader behind the curtain of some of the best popular music in advertising campaigns of all time. It is little know fact that fog played a critical role in the "I'd Like to Teach the World to Sing" campaign and that while taping the "Lose Yourself" video, the choir had no idea Eminem would show up. Originally the Doors were to be in the Cadillac commercials, not Led Zeppelin, but one of the members of The Doors discovered that Cadillac made the Escalade and suddenly declined because he felt it was environmentally unfriendly. This Note's For You talks of the people who created the campaigns with the songs we remember the most.
Who Killed the Jingle?
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In this funny and insightful investigation, Steve Karmen dubbed the "King of the Jingle" by People magazine takes us back to a time when consumers happily sang along to "Pepsi Cola Hits the Spot," "This Bud's for You," and "Hershey Is the Great American Chocolate Bar," and brings us to the era of borrowed melodies, electronic sounds, and lyrics that never mention the name of the product. Did Madison Avenue get too sophisticated for its own good? Too cheap? Too sneaky? In its quest to combat the technology that allows viewer to "zap" the commercials, "tune out," or eliminate advertising, did the advertising world invent "integration" (putting the product into the programming) rather than make the commercials lovable, hummable units of entertainment themselves? Karmen explores the demise of the advertising music business and why the future of advertising is so precarious.
Writer. Producer. Engineer
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(Berklee Guide). Writers of commercial music are more in demand than ever before. The rules have changed in the past decade, and the contemporary writer needs a multifaceted skillset in order to succeed in business. This book will help you master the three roles of the new job: writer, producer, and engineer. You will learn to set up a profitable business model for creating commercial music, providing your clients with music that fits their needs and budget, at today's quality standards. Whether your interest is in producing music for jingles, film scores, videogames, corporate presentations, or other commercial areas, this book will reveal how to set up shop, find work, and create music at today's demanding professional standards.
Writing Music for Commercials
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In Writing Music for Commercials: Television, Radio, and New Media, professor, composer, arranger, and producer Michael Zager describes the process of composing and arranging music specifically for commercials across the growing variety of media formats. Writing music for commercials requires composers not only learn the craft of writing short-form compositions that can stand on their own, but also understand the advertising business. In this third edition of his original Writing Music for Television and Radio Commericals, Zager walks starting composers through the business and art of writing music that aims for a product's target audience and, when done well, hits its mark.
Writing Music for Television and Radio Commercials
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Writing Music for Television and Radio Commercials provides a comprehensive overview of the process of composing and arranging commercials for these two very different media. The book addresses the tools of composition and arranging and sets forth a method for approaching each creative and business situation. Application of the material in the book is intended to help the novice composer achieve his or her goals. This text is a necessary tool for the music student interested in composing, arranging, and producing commercials, and will also be useful for composers studying film scoring, as well as advertising writers, art directors, and music producers. Special features include: ·An audio CD containing jingles to illustrate examples in the book, ·Interviews with professionals in the field ·Illustrative musical examples ·Information on major agencies and unions
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