Diversity in Show Business: Race

A play about the imagined fault line between black and white lives by Claudia Rankine, the author of Citizen The White Card stages a conversation that is both informed and derailed by the black/white American drama. The scenes in this one-act play, for all the characters' disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond.

"What's a black girl from sunny Southern California to do? White people are blowing up black girls in Birmingham churches. Black people are shouting "Black is beautiful" while straightening their hair and coveting light skin. Viveca Stanton's answer: Slap on a bubbly smile and be as white as you can be! In a humorous and pointed coming-of-age story spanning the sixties through the nineties, Viveca blithely sails through the confusing worlds of racism, sexism and Broadway showbiz until she's forced to face the devastating effect self-denial has had on her life."

A mother's hopes for her son clash with an educational system rigged against him in Dominique Morisseau's riveting play. Nya, an inner-city public high school teacher, is committed to her students but desperate to give her only son Omari opportunities they'll never have. When a controversial incident at his upstate private school threatens to get him expelled, Nya must confront his rage and her own choices as a parent. But will she be able to reach him before a world beyond her control pulls him away?  With profound compassion and lyricism, Pipeline brings an urgent conversation powerfully to the fore. It is a deeply moving story of a mother's fight to give her son a future -- without turning her back on the community that made him who he is.

Clybourne Park spans two generations fifty years apart. In 1959, Russ and Bev are selling their desirable two-bedroom at a bargain price, unknowingly bringing the first black family into the neighborhood (borrowing a plot line from Lorraine Hansberry's A Raisin in the Sun) and creating ripples of discontent among the cozy white residents of Clybourne Park. In 2009, the same property is being bought by a young white couple, whose plan to raze the house and start again is met with equal disapproval by the black residents of the soon-to-be-gentrified area. Are the issues festering beneath the floorboards actually the same, fifty years on? Bruce Norris's excruciatingly funny and squirm-inducing satire explores the fault line between race and property.

A politically edgy examination of inter-racial dating and identity through irony, humor, and social commentary, Cowboy Versus Samurai is a laugh-out-loud, romantic comedy exploring the sexual dynamics that surface around race when an attractive Korean American woman moves to town. Travis Park is a high school English teacher and the only Korean American man living in a dusty cowboy town known as Breakneck, Wyoming. When a gorgeous, whip-smart Asian American woman moves into town, he immediately falls for her; the only problem is that she only dates white men. In this savagely funny and often-moving re-telling of Edmond Rostand¿s Cyrano De Bergerac, one man must choose allegiance between his cowboy friend (a dim, handsome, Caucasian P.E. teacher named Del) and his Asian Brother-with-a-Capital-B (crazed, militant Asian of Unknown Origin, Chester). He must choose between the Asian American and the American within himself ¿ between Cowboy and Samurai ¿ in a pursuit of a love that may only be as real as the love letters he writes for someone else.